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To illustrate this point, imagine you write a novel. Your mom and dad say it‚s the best thing they‚ve ever read. Two published novelists also read it and say it‚s the best thing they‚ve ever read. Whose praise means more to you. The praise from the other novelists, of course.

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And you are really pretty too.

Despite the dark themes and intense musical tone, the Princeton Symphony played with sensitivity and continuous focus through some very challenging music. Aaron Jay Kernis composed the three-movement Colored Field in 1994 as a concerto for English horn and orchestra. Rooted in the tragedy of World War II as interpreted by the composer himself through visits to Auschwitz and Birkenau, Colored Field uses the solo instrument as a voice of anguish. Following the work‚s premiere, Mr. Kernis rescored the piece for solo cello and orchestra, and this was the version the Princeton Symphony brought to Richardson Auditorium Sunday afternoon. Joining the Symphony was soloist Susan Babini, principal cellist of The Milwaukee Symphony Orchestra and soloist in this piece‚s East Coast premiere with Mr.

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